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Serendipity and Unexpected Connections

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Ellen Alers

Sometimes the research process reveals more than an answer to a single question. This is the story of the Smithsonian bison that inspired the “Buffalo Bill.”

In the past, I’ve found interesting things in the Archives while conducting research to answer a different reference question, and, at the end of January, it happened again. I was originally asked to check facts for a documentary about William Temple Hornaday and his work to save the American bison from extinction in the 1880s. While looking at the bison accession cards in Record Unit 386, I found an interesting note about a bison that came into our collection and, eventually, into cash registers. And it wasn’t the “Buffalo” nickel.

An American bison stands in the snow. It looks toward the camera.

In researching the original question, I came across a card, dated October 23, 1897, for a two-year-old bison, catalogued as #2926. In addition to the typewritten information on the card, there were additional hand-written notes recording the death of the bison on October 13, 1914 and this…

“C. R. Knight’s drawing for the ten dollar bill was made from this animal.”

Ten-dollar bill. The central portrait is a depiction of an American bison.

Charles Robert Knight (1874–1953) was an artist, sculptor, and exhibit designer who many may know best for his paintings of dinosaurs. His work appears in books, as murals, architectural features as well as the “Buffalo Bill,” issued in 1901.

In fact, both the National Museum of Natural History and several buildings at the National Zoo are decorated with his art. 

Here are a couple of examples:

The Knight’s mosaic above the entryway to the Reptile House. 

Dinosaur art above doorway of the Reptile House.

Detail of pediment above the entrance - National Zoological Park, Reptile House, 1933, Library of Congress, Historic American Buildings Survey, HABS DC-777-B.

View of the Reptile House.

National Zoological Park, Reptile House, 1933, Library of Congress, Historic American Buildings Survey, HABS DC-777-B.

Here’s his design model for an archway over the doorway to the Elephant House – and here’s the full-sized bas-relief over an entrance into the Elephant House.

Three elephants over a doorway. The middle elephant is directly facing the viewer.

Tympanum Over Doorway to Building for Pachyderms, 12 November 1936, Smithsonian Institution Archives, Record Unit 74, Image no. SIA2008-0924.

An even closer view of the artwork. The "elephants" are labeled "American Mastodon,""Woolly Mammout

Detail view of bas-relief sculpture in tympanum at south wall of east entrance loggia, 1933, Library of Congress, Historic American Buildings Survey, HABS DC-777-C.

View of the elephant house.

National Zoological Park, Elephant House, Library of Congress, Historic American Buildings Survey, HABS DC-777-C.

You can read more about Knight’s work at the National Zoo in other HABS (Historic American Buildings Survey) No. DC-777 reports found at the Library of Congress.

I love that you can find these curious connections when you least expect them.

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Ten-dollar bill. The central portrait is a depiction of an American bison.

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