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Talk Story: Smithsonian Asian Pacific American Center

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A look back at the history of the Smithsonian Asian Pacific American Center in honor of Asian Pacific American heritage Month.

1996 marked the 150th anniversary of the Smithsonian Institution. It was also in that year that the Office of Public Affairs (OPA) published Asian Pacific American Resources at the Smithsonian. This resource brochure was meant to aid teachers, students, and researchers by providing them with information on Smithsonian collections, databases, publications, fellowships, internships, and more that were of significance to Asian Pacific Americans. The OPA also produced similar brochures on African and African American, Latino, and Native American resources.

Brochure with light green cover with patterns on it with color image of individual in Hmong embroide

The next year, in 1997, the Smithsonian Institution established an advisory group, headed by the Norman Mineta (former U.S. Congressman and the 14th Secretary of Transportation) and tasked to research, examine, and report on the Smithsonian's progress in covering the nation's diverse Asian Pacific American communities. The Asian Pacific American National Advisory Group's final report was released in June 1998 and called for the creation of an Asian Pacific American studies program, now known as the Asian Pacific American Center, at the Smithsonian.

The Program for Asian Pacific American Studies was established thereafter that same year with Franklin S. Odo as the founding director. Its mission from its creation until today is to be a resource to "enrich the American Story with the voices of Asian Pacific Americans."

Color image of three people indoors, two of which are wearing leis and one is shaking the hand of an

One of its earliest actions was to organize, along with the Smithsonian Center for Museums Studies, now known as the Smithsonian Center for Learning and Digital Access, a program for museum professionals: "Diversity, Leadership, and Museums: The Representation of Asian Pacific American Communities." It was held at the Japanese American National Museum and explored diversity issues in museums, examined current issues affecting Asian Pacific Americans in the museum profession, and emphasized problem-solving strategies, team-building techniques, and communication skills.

The office was later known as the Smithsonian Asian Pacific American Program, and, in 2012, it became the Smithsonian Asian Pacific American Center. Over the years the Center has presented innovative, community-centered museum experiences through the United States and the world. Through their work with communities, their exhibitions, educational programs, digital storytelling, culture labs, and public programs, the Center presents the history, art, and culture of Asian Pacific Americans.

Six festival participants on wooden stage holding ukuleles with visitors looking on.

1989 Festival of American Folklife Hawai'i Narrative Stage. Image no. 89-17279. Courtesy of Ralph Rinzler Folklife Archives and Collections.

Festival participant seated quilting a quilt in a circular wooden frame.

Deborah Kakalia demonstrates quilting in the Hawai'i program at the 1989 Festival of American Folklife. Image no. 89-17468. Courtesy of Ralph Rinzler Folklife Archives and Collections.

Bronze statue of Smithsonian Secretary Joseph Henry with two leis placed around its shoulders.

Leis placed on the statue of Joseph Henry in front of the Smithsonian Institution Castle, 1989 Festival of American Folklife. Courtesy of Ralph Rinzler Folklife Archives and Collections.

On a raised platform stage, five hula dancers in white dresses and one in a floral print dress, with

Hula dancers on the Hula Stage at the 1989 Festival of American Folklife. Image no. 89-18145. Courtesy of Ralph Rinzler Folklife Archives and Collections.

On a raised platform stage, six hula dancers in yellow dresses with arms raised.

Festival participants perform traditional hula on the Hula Stage at the 1989 Festival of American Folklife on the National Mall., Image no. 89-18694. Courtesy of the Ralph Rinzler Folklife Archives and Collections.

Seated man with microphone in front of him on stage with multilingual newspapers behind him.

Franklin S. Odo at Talkstory at the 2010 Smithsonian Folklife Festival. Photo by Francisco Guerra. Image no. SFF2010_FG_7-05_0112. Courtesy of the Ralph Rinzler Folklife Archives and Collections.

Seated man with microphone in front of him on stage with multilingual newspapers behind him.

Konrad Ng at Talkstory at the 2010 Smithsonian Folklife Festival. Photo by Francisco Guerra. Image no. SFF2010_FG_7-05_0113. Courtesy of the Ralph Rinzler Folklife Archives and Collections.

Three seared men with microphones in front of them on stage with multilingual newspapers behind him.

Konrad Ng, Franklin S. Odo, and Richard Kurin at Talkstory at the 2010 Smithsonian Folklife Festival. Photo by Francisco Guerra. Image no. SFF2010_FG_7-05_0114. Courtesy of the Ralph Rinzler Folklife Archives and Collections.

Hula dancers, some in white dresses and some in red and yellow dresses, on raised stage performing h

Members of Halau Ho'omau perform Hawaiian music and dance at an evening concert in the Asian Pacific Americans program at the 2010 Smithsonian Folklife Festival. Photo by John Loggins. Image no. SFF2010_JL_6-27_0289. Courtesy of the Ralph Rinzler Folklife Archives and Collections.

Two festival participants dancing with fan and plants behind them

Wat Thai Temple dance being performed at the 2010 Smithsonian Folklife Festival. Photo by John Naman. Image no. SFF2010_JN_6-27_0019. Courtesy of the Ralph Rinzler Folklife Archives and Collections.

Festival participants dancing on stage with banner behind them.

Somapa Thai Dance Company performing at the Asian Fusions tent at the 2010 Folklife Festival. Photo by Jeff Tinsley. Image no. SFF2010_Tinsley_7-05_0012. Courtesy of the Ralph Rinzler Folklife Archives and Collections.

Festival participants with drums and drum sticks on stage with banner behind them.

Nen Daiko-Taiko performing at the Asian Fusions tent at the 2010 Smithsonian Folklife Festival. Photo by Jeff Tinsley. Image no. SFF2010_Tinsley_7-05_0067. Courtesy of the Ralph Rinzler Folklife Archives and Collections.

Brochure with light green cover with patterns on it with color image of individual in Hmong embroide

"Asian American Resources at the Smithsonian," Office of Public Affairs, 1996. Information File, Smithsonian Institution Archives

Color image of three people indoors, two of which are wearing leis and one is shaking the hand of an

Franklin Odo, Director, Smithsonian Asian Pacific American Program, 1997-2010, at the press preview for "From Bento to Mixed Plate: Americans of Japanese Ancestry in Multicultural Hawai'i" exhibition in the Arts and Industries Building, May 20, 1999, by Richard W. Strauss, Color negative, Accession 11-009: Smithsonian Photographic Services, Photographic Collection, 1971-2006, Smithsonian Institution Archives, neg. no. 99-1132-03.

After Odo retired in 2010, Konrad Ng was director from 2011 to 2015. Ng was followed by Lisa Sasaki who started her tenure as director in November 2016. In March 2021, Sasaki was appointed interim director for the Smithsonian American Women's History Museum and Dr. Theodore S. Gonzalves, curator of Asian Pacific American history at the National Museum of American History was appointed interim director of the Smithsonian Asian Pacific American Center.

The month of May is Asian Pacific American Heritage Month and I would like to share the following statement from Dr.  Gonzalves:

As we mark another commemoration of Asian Pacific American Heritage Month, we have to acknowledge how this time feels different. A global pandemic has shaken our communities to the core, revealing long-standing and often unacknowledged inequalities. Our families in Atlanta, Indianapolis, and throughout the nation continue to shoulder the pain of losing loved ones to violence and harassment. Please remember to take time to support each other as we try to make sense of these times. Usually, these month-long events in May have been wonderful ways to gather up our voices to celebrate achievements. We would share songs, food, ritual, and stories. And while this year we grieve, let us also strive to find the humanity in each other. We wish to see the fullness of who we have been, who we are, and who we can still be. We are more than what has been done to us. We bear witness to and participate in calls for racial equality, justice, and much-needed kindness and healing. Our Asian American and Pacific Islander traditions demonstrate unity and care for each other. On behalf of everyone at the Smithsonian Asian Pacific American Center, I invite you to live out these ideals with us not only in May, but throughout the year.

Recently, the Center invited audiences to explore its new care package of poems, meditations, and more in response to the COVID-19 outbreak and its repercussions.

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